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Words near each other
・ Pop 'im Pop!
・ Pop 'til You Drop!
・ Pop (fashion magazine)
・ Pop (Gas album)
・ Pop (ghost)
・ Pop (Joachim Witt album)
・ Pop (Mao Abe album)
・ Pop (motion)
・ Pop (nickname)
・ POP (Point of Purchase typeface)
・ Pop (Same Difference album)
・ Pop (song)
・ Pop (surname)
・ Pop (Tones on Tail album)
・ Pop (U.S. TV network)
Pop (U2 album)
・ Pop (UK and Ireland)
・ Pop (video game)
・ Pop + Jazz = Swing
・ Pop 100
・ Pop 100 Airplay
・ Pop 101
・ Pop a Bottle (Fill Me Up)
・ Pop a Top
・ POP Air Pollution Protocol
・ Pop Always Pays
・ Pop Ambient 2014
・ Pop and Contemporary Fine Art
・ Pop art
・ Pop Art (album)


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Pop (U2 album) : ウィキペディア英語版
Pop (U2 album)

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''Pop'' is the ninth studio album by Irish rock band U2. It was produced by Flood, Howie B, and Steve Osborne, and was released on 3 March 1997 on Island Records. The album was a continuation of the band's 1990s musical reinvention, as they incorporated alternative rock, techno, dance, and electronica influences into their sound. ''Pop'' employed a variety of production techniques that were relatively new to U2, including sampling, loops, programmed drum machines, and sequencing.
Recording sessions began in 1995 with various record producers, including Nellee Hooper, Flood, Howie B, and Osborne, who were introducing the band to various electronica influences. At the time, drummer Larry Mullen, Jr. was inactive due to a back injury, prompting the other band members to take different approaches to songwriting. Upon Mullen's return, the band began re-working much of their material but ultimately struggled to complete songs. After the band allowed manager Paul McGuinness to book their upcoming 1997 PopMart Tour before the record was completed, they felt rushed into delivering it. Even after delaying the album's release date from the 1996 Christmas and holiday season to March 1997, U2 ran out of time in the studio, working up to the last minute to complete songs.
In February 1997, U2 released ''Pop''s techno-heavy lead single, "Discothèque", one of six singles from the album. The record initially received favourable reviews from critics and reached number one in 35 countries, including the United Kingdom and the United States. However, the album's lifetime sales are among the lowest in U2's catalogue, and it received only a single platinum certification by the Recording Industry Association of America.〔(【引用サイトリンク】title=Gold and Platinum Database Search )〕 Retrospectively, the album is viewed by the music press and public as a disappointment. The finished product was not to U2's liking, and they subsequently re-recorded and remixed many of the songs for single and compilation album releases.
==Background and writing==
In the first half of the 1990s, U2 underwent a dramatic shift in musical style. The band had experimented with alternative rock and electronic music and the use of samples on their 1991 album, ''Achtung Baby'', and, to a greater extent, on 1993's ''Zooropa''. In 1995, the group's side-projects provided them an opportunity to delve even deeper into these genres. Bassist Adam Clayton and drummer Larry Mullen, Jr. recorded "Theme from Mission: Impossible" in an electronica style. The recording was nominated for the Grammy Award for Best Pop Instrumental Performance in 1997 and was an international top-ten hit. In 1995, U2 and Brian Eno recorded an experimental album, ''Original Soundtracks 1'', under the moniker "Passengers". The project included Howie B, Akiko Kobayashi and Luciano Pavarotti, among others.
Bono and the Edge had written a few songs before recording started for ''Pop'' in earnest. "If You Wear That Velvet Dress", "Wake Up Dead Man",〔
* 〕 "Last Night on Earth" and "If God Will Send His Angels" were originally conceived during the ''Zooropa'' sessions.〔(【引用サイトリンク】title=Books by BP )〕 "Mofo" and "Staring at the Sun" were also partly written already.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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